Loretta lux

It will probably be within the same context as her current work, because Loretta lux it offers more depth and width than she had imagined. She starts photographing with Loretta lux passion inbut never without forgetting the art of painting. So real and perfect. Her characters are new to life, but look out into the world as if they had rather given it a second try.

Still, whereas a painter looks for the right composition, colours and forms on the canvas, Lux always works on a computer. As a fanatical activist for animal rights, having grown up with pets, she finds it unbelievable that even today so many animals are treated so awfully.

She loved playing at being a beauty, and dressed like a model from the s. But she still thinks like a fine artist, for example in the way she structures her images. Count her average annual production, only five or six images, and this says it all.

Perhaps just as good as works by the Renaissance masters such as Leonardo, Bronzino and Holbein, whom she admires for their individual vision and quality. Loretta Lux is hot property. In an image-dominated world, hungry dealers and collectors alike have found something that has an appeal all of its own.

The Bride depicts Loretta lux childhood fantasy with a little girl wearing a white dress and tiara, while the reclining girl in The Wandererset in an isolated, light-filled landscape, is reminiscent of work by Balthus, famous for his paintings of very young girls in languid, suggestive poses.

Even though she still firmly believes that she is not there to please the public, Loretta Lux finds it a great honour that her work is now in a museum. Loretta Lux At the opening of the Paris Photo fair last November, a cluster of collectors were drawn to one of a series of lush, unsettling images of children by Loretta Lux, a year-old German painter turned photographer.

But then, as she points out, her photographs are not intended as portraits: At the same time, she had enormous energy and was very precise and disciplined in her working methods. This article was featured in GUP 3, the Manipulation issue.

Inshe was accepted to study at the Academy of Visual Arts in Munich. At the moment she is involved in other projects, a creative process in which the brakes have come off. Five years on, Lux has had major solo exhibitions in Munich, Amsterdam and New York, while her images are now in 20 public institutions listed on her website.

Indeed, her first photographs - taken when she started experimenting with the medium in - were just that. In her studio, Lux photographs models in vintage clothing against a white background. I was also fascinated by the work of Caspar David Friedrich and the way he depicted the unfulfilled human longing to become one with nature.

Yet, for one New York collector who bought the image: The photo museum in The Hague has a real scoop in that respect, being the first museum in the world with a retrospective on Lux. Later she inserts these images digitally into a setting that she photographed earlier.

Interview: Loretta Lux

She does not regard it as a com- petition, but she does believe that the visual impact of photography potentially might be as strong as that of painting. For example, Francis Bacon taught her about vision on human nature, and Rothko about intensity and spirituality.

Entitled The Rose Gardenit shows an impassive, digitally enhanced, doll-like little girl dressed in a vintage mini-dress standing carefully posed with her hands behind her back and an averted gaze.

She held herself aloof from her fellow students, and her whole persona was very carefully calculated. That, of course, includes her young subjects - all sons and daughters of friends - whom she dresses, whether they like it or not, in s vintage clothing, including skirts and dresses kept by her mother from her own childhood: Their smaller size also lends an intimacy that appeals to collectors in search of images they can hang at home.

She then crops and arranges her composition, removes extraneous details and alters the colours until they have attained her trademark pastel perfection. But most importantly the way these children represent the ultimate metaphor for innocence and Paradise Lost.

The images are also, as Graeve Ingelmann points out, partly self-portraits. She admits that her method of working is much more related to painting than to photography. From her new home in Monaco, the German photographer is travelling all over the world to exhibit and sell her work.

Those psychological elements are the children and their surroundings. She talks to Louise Baring In pictures:Loretta Lux [Francine Prose, Loretta Lux] on killarney10mile.com *FREE* shipping on qualifying offers.

Loretta Lux

Though the sense of realism in German photographer Loretta Lux's /5(17). 23 Followers, 59 Following, 5 Posts - See Instagram photos and videos from Loratta lux (@loretta_lux).

Loretta Lux is hot property. From her new home in Monaco, the German photographer is travelling all over the world to exhibit and sell her work. Her main photog. Direkt zum Inhalt. Loretta Lux. MenĂ¼. Bio; Selected Works; Press; Contact. Find the latest shows, biography, and artworks for sale by Loretta Lux.

Trained as a painter, Loretta Lux began experimenting with photography in and ha. Loretta Lux (born ) was born in Dresden, East Germany and is a fine art photographer known for her surreal portraits of young children.

She lives and works in Ireland. Lux has received the Infinity Award for Art from the International Center of Photography. Her.

'I use children as a metaphor for a lost paradise' Download
Loretta lux
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